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In a quiet area of the Irish capital, an individual is standing in his driveway, dressed in a vest and expressing his concerns. “It seems like myself getting quieter. Harder to see,” remarks Leonard, gazing toward the stars. “One thing’s led to another and at this point I believe without a change, I will continue in this simple, peaceful routine.” His friend Paul, his closest confidant, considers the idea. “That's perfectly fine,” he responds, his robe moving in the breeze. “Preferable to attempting to leave an impact only to wind up defacing it.”

For those weary by the chaos and fast pace of modern television terrain, this series arrives similar to a warm cover and warming mug of a sweet cordial.

Similar to its gentle leads, the series – a six-episode comedy created by Richie Conroy and Mark Hodkinson, inspired by Rónán Hession’s understated story – takes a dim view toward today's world; looking skeptically above its prematurely middle-aged glasses at anything that involves unnecessary noise, quick actions or – perish the thought – excessive aspiration. This show rather, an ode to introversion; a gentle tribute to people content to wander away from attention. And yet. He (a further sublimely idiosyncratic performance from Alex Lawther) is uneasy. He notices a growing “desire to unlock the entryways of my life … just a bit.” The loss of his mother has pulled the carpet out from under him and the 32-year-old, a ghost writer, now finds himself doubting the choices that directed him to his current situation (unattached; with a protective mustache; creating multiple educational volumes for a man who signs off messages with the phrase “ciao for now”).

Therefore Leonard starts himself on a quest for emotional fulfilment, alongside his more outgoing friend Paul (the actor) functioning as his trusted friend, life coach and ally in a weekly board games evening which acts as debate (“Is the water heated due to children urinating, or is it that kids pee because it’s warm?”) and refuge.

(What's the origin of "Hungry" Paul? No idea. The beginning of this name appears lost in mystery. It could be that the postal worker previously devoured a sandwich very fast, or reacted to a tense moment by hastily opening four scotch eggs using his teeth).

Entering Leonard's quiet life comes a new colleague (Jamie-Lee O’Donnell), a recent energetic associate who happily suggests to eliminate the awful manager (the actor) during the office fire drill. The swift movement you can hear signals Leonard's peaceful routine undergoing a shake-up.

Elsewhere in the initial show of this program not heavily plotted and centered around what the under-30s may refer to as “mood”, we are introduced to Hungry Paul’s dad (the ever-wonderful the performer), a worn-out individual who covertly observes, saves and reviews television game programs to dazzle his devoted partner through his fact recall.

Shepherding the audience throughout this subtle warmth we hear a narrator who closely resembles – and truly is – Julia Roberts. Truly, Julia Roberts. In case you're considering, “certainly the presence of a major Hollywood star clashes with the show's modest approach and at first acts merely as a distraction?” you would be correct. Nevertheless, the actress performs admirably, and lines for example “Leonard’s problem is that he lacks an expression of discovery” contribute to ensuring that early misgivings give way if not full admiration, then at minimum tolerance.

No more criticism for now. Leonard and Hungry Paul’s heart is in the right place: the right place being “sitting on a park bench in the company of gentle comedies, showing its favourite duck.” This is a show that ambles along wearing its simple clothes, occasionally looking up at the stars, sometimes downward toward the ground, calmly assured that no experience is on Earth as uplifting as spending time with close companions.

Unlock the entryways of your life, slightly, and allow it entry.